![]() Seems like the bass and the drums finally have convinced the guitar for a harder riffing and sound. The bass-line and the drums get straighter, the guitar lingers along with arabesque This jam lasts around ten minutes to prepare the take-off for the last ten minutes of this song. " Nag Kanya" takes off with oriental effects, flangers, phazers on bass and guitars and a restrainedĭrumming. ![]() ![]() ![]() Not that straight as the proceeding song, more proggy psychedelic. "Metamorphosis" based on a leading bass riff, that fixes the drums, the effects and the guitar licks. 1,711 edits were made to the 122 articles in this wiki. What a pity, this trip stops after 11 minutes. Welcome to the Spacelords Wiki about MercurySteams campaign-based shooter and brawler. With endless spirals of the riff´s variations. Not that fast as Hawkwind, not that playful as My Sleeping Karma, blended This composition is located between the Hawkwind´s Spacerock and the sheer endless guitar mantras from My Sleeping Karma. Behold THE END, the most powerful weapon ever made by a human hand Only ONE WOMAN in the entire is strong enough to use it- And her name is ANESKA THE END, Aneskas ultimate WEAPON is AVAILABLE NOW in SPACELORDS. This page includes Spaceflowers's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, free MP3 download (stream), buy online links: amazon, ratings and detailled reviews by our experts. "Plasma" launches us with a mid-tempo, slightly stumping, surrounded by indian/oriental inspired guitar loops straight to space. Spaceflowers is a music studio album recording by THE SPACELORDS (Psychedelic/Space Rock/Progressive Rock) released in 2020 on cd, lp / vinyl and/or cassette. It’s worth a revisit, although it has its kinks here and there.The Spacelords gathered again for their second album Water I’ll be back for more, next time they release something, but until then this album might just hit the stereo a few times more. They are, however, on their way to becoming something truly interesting by themselves, I reckon. They’re not quite Electric Moon, nor are they Hawkwind or the like. “Synapse” is still quite a swing and miss affair here and there, but generally it is a wonderful sonic trek. My conclusion must be that The Spacelords are on to something, at least. I think it would further the soundscape quite a bit, actually.Īnyway, here we are at the album’s end – for something like the 8th time. The sporadic spoken-word passages really spice up the track, underlining that there might indeed be something of a sonic advantage to be gained by adding these on a more frequent basis than the sporadically chosen snippets here and there. Festival' 25.11.'22 - ( D ) Sulzbach a.d.Murr - 'Belinda' 17.12.'22 - ( D ) Reutlingen - 'FranzK' ( XXL Show ) 12.08.'23 - ( D ) Balver Hhle - 'German Kultrock Festival' PAST CONCERTS: 10.09.'22 - ( D ) Lbeck - Tonzonen Rec. Eventually though, the track transcends this soundscape and soars into a space-prog reminiscent, almost symphonically epic soundscape that constantly borders on the cosmically beautiful and the more earthbound heaviness. THE SPACELORDS psychedelic rock UPCOMING CONCERTS: 29.10.'22 - ( D ) Krefeld - Kulturfabrik 'Tonzonen Rec. As the final trek of this spaced-out journey, it takes on a somewhat acid-rock sounding approach to the guitar-licks whilst the rhythm section just grooves away in a steady, rocking flow. With “Pyroclastic Monster” The Spacelords manage to do just that. It’s an interesting track to say the least, but I feel like the album, at this point, has yet to show me how it differs from other contemporary releases. Quite noticeably, the track sounds like a warped rendition of “Assault & Battery” tinged with that unmistakably ‘German-sounding’ spacerock tradition of freak-outs that probably stem from the very earliest days of kraut rock – think Amon Düül II or Can for proper references. With Craig Stevenson, Susie Jones, Stephen Hughes, Scott Cleverdon. Opening with the title track, The Spacelords immediately come off as having studied at the altar of Hawkwind. Clocking in at just about 40 minutes, 4 tracks strong, “Synapse” can best be described as a proper, lengthy spacerock album following the finest of traditions. So far, “Synapse” included, The Spacelords have released four albums (3 studio + 1 live) – this being the first one I’ve ever listened to, so I might actually need to backtrack after this. ![]() Not surprisingly, Marcus also plays drums in the space-rock institution that is Electric Moon. So, the thing about The Spacelords that you really need to know is this: The band, consisting of Hazi (guitars/effects), Klaus (Bass/effects/synths) and Marcus (drums), plays the kind of tripped-out, contemporary spacerock that Germany is quite rapidly gaining a reputation for being the ultimate masters of. ![]()
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